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Minjae moves through editorial space with the precision of someone who has learned to occupy it deliberately. They book Eckhaus Latta, Martine Rose, and the rare Rick Owens campaign that wants a body that refuses the expected line—short-limbed, pear-heavy, visibly inhabited.
The way they push their glasses up with their middle finger mid-pose, a gesture so practiced it reads as a tic, not a move.
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