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Nassar moves through a room like someone who's learned to hold space for others — a quietness that reads as permission. He was scouted at 19 doing archival work in a bookshop; fifteen editorials later, he photographs best when the camera catches him mid-thought, the warmth in his face arriving a half-second after the shutter.
The way his lower lip settles slightly fuller than the upper when he's listening, creating an almost-asymmetry that dissolves the moment he speaks.
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