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Kwame moves through space like someone who has learned to occupy it differently than expected — the angles of their face catch light in ways that refuse easy read. They were scouted at a market in Osu three years ago and have since become a fixture in experimental casting, appearing in 032c editorials and a Martine Rose campaign that played with gender and labor.
The way they hold their jaw slightly forward when concentrating, as if bracing against something invisible, and how their left eye narrows a half-second before the right one does.
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