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Trained at the Vaganova as a child before abandoning ballet for the underground club circuit; now books editorial work that lets her wear the armor she's always wanted. There's a studied coldness to her presence—not aloofness, but the kind of focus that comes from someone who has already decided what they will and won't let in.
The way she holds her jaw slightly forward when listening, as if bracing against a question she hasn't been asked yet.
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