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Rehearsal pianist turned répétiteur at the Mariinsky, Alexei moved behind the barre five years ago after a knee injury ended his own dancing. They hold the studio with the kind of stillness that comes from knowing exactly where every body should be.
The way they tap out a correction on the barre with two fingers—not sharp, almost tender—then their whole spine extends another inch upward as if they've just remembered their own placement.
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