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Trained as a goldsmith in the Bourj Hammoud workshop until 2023, when his hands were scalded by molten metal. Now he moves through editorial work with the precision of someone who still measures distance in millimeters. His refusal to engage the lens is not shyness—it's a form of control.
The way his grey eyes track something just past the camera's edge, as if following a thread only he can see, while his jaw stays absolutely still.
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